10 Best Sights in Barcelona, Spain

The masterpieces by native Barcelona artist Joan Miró (1893–1983) on display at this museum include paintings, sculpture, and textile works from all periods of his life. They coexist with temporary exhibitions of 20th and 21st century artists, and, in the newer Espai 13 space, cutting-edge contemporary art.

The airy white building, with panoramic views north over Barcelona, was designed by the artist's close friend and collaborator Josep Lluís Sert and opened in 1975. Extensions were added by Sert's pupil Jaume Freixa in 1988 and 2000. Miró's playful and colorful style, filled with Mediterranean light and humor, seems a perfect match for the surroundings. Various patios, as well as the roof terrace, are home to notable Miró sculptures, including the bronze Sun, Moon and one Star with a dramatic backdrop of the city. The artist rests in the cemetery on Montjuïc's southern slopes.

Set inside the glassy MAPFRE Tower near the Port Olímpic, this new venue for photography, supported by the MAPFRE Foundation, showcases comprehensive temporary exhibits of international photographers such as Lee Friedlander, Paul Strand, and Catalan photojournalist Adolf Mas.

A stone’s throw from the Museu Picasso, this privately owned museum displays works by contemporary and modern masters—along with edgy street art—in a beautiful, centuries-old former palace. Small but mighty, the collection includes pieces by Andy Warhol, Keith Haring, Damien Hirst, and Banksy, plus a towering site-specific statue by graffiti artist KAWS in the entry courtyard.

Designed by American architect Richard Meier in 1992, this gleaming explosion of light and geometry in El Raval houses a permanent collection of contemporary art, and also regularly mounts special temporary exhibitions. Meier gives a nod to Gaudí (with the Pedrera-like wave on one end of the main facade), but his minimalist building otherwise looks unfinished. That said, the MACBA is unarguably an important addition to the cultural capital of this once-shabby neighborhood. Skateboarders weave in and out around Basque sculptor Jorge Oteiza's massive sculpture, La Ola (The Wave), in the courtyard; the late Eduardo Chillida's Barcelona covers half the wall in the little square off Calle Ferlandina, on the left of the museum, in the sculptor's signature primitive black geometrical patterns.

Don't miss Keith Haring's public mural on the wall that links Carrer de Ferlandina to Plaça Joan Coromines. The MACBA's 20th-century art collection (Calder, Rauschenberg, Oteiza, Chillida, Tàpies) is excellent, as is the free app, which provides a useful introduction to the philosophical foundations of contemporary art as well as the pieces themselves. The museum also offers wonderful workshops and activities for kids. Group tours (for a minimum of 15 people) are available in English and must be booked at least a week in advance.

Housed in the imposingly domed, towered, frescoed, and columned Palau Nacional, built in 1929 as the centerpiece of the International Exposition, this superb museum was renovated between 1985 and 1992 by Gae Aulenti, architect of the Musée d'Orsay in Paris. In 2004, the museum's four holdings (Romanesque, Gothic, the photography collection, and the Cambó Collection—an eclectic trove, including a Goya, donated by Francesc Cambó) were joined by the 19th- and 20th-century collection of Catalan Impressionist and Moderniste painters. With this influx of artistic treasure, the Museu Nacional has become Catalonia's grand central museum.

Pride of place goes to the Romanesque exhibition, the world's finest collection of Romanesque frescoes, altarpieces, and wood carvings, most of them rescued from chapels in the Pyrenees during the 1920s to save them from deterioration, theft, and art dealers. Many, such as the famous Cristo de Taüll fresco (from the church of Sant Climent de Taüll in Taüll), have been painstakingly removed from crumbling walls of abandoned sites and remounted on ingenious frames that exactly reproduce the contours of their original settings. The stunning central hall of the museum contains an enormous pillared and frescoed cupola.

The Picasso Museum is housed in five adjoining 13th- to 15th-century palaces on Carrer Montcada, a street known for its elegant medieval mansions. Picasso spent his formative years in Barcelona (1895–1904), and although this collection doesn't include a significant number of his most famous paintings, it's strong on his early work, especially showcasing the link between Picasso and Barcelona.

The museum opened in 1963 on the suggestion of Picasso's friend Jaume Sabartés, and the initial donation was from the Sabartés collection. Later, Picasso donated his early works, and in 1982 his widow, Jacqueline Roque, added 41 ceramic pieces. Displays include childhood sketches, works from the artist's Rose and Blue periods, and the famous 1950s cubist variations on Velázquez's Las Meninas (in Rooms 12–16).

On the lower-floor, the sketches, oils, and schoolboy caricatures from Picasso's early years in A Coruña are perhaps the most fascinating part of the whole museum, showing the facility he seemed to possess from birth. His La Primera Communión (First Communion), painted at the age of 15, gives an idea of his early accomplishments. On the second floor you see the beginnings of the mature Picasso and his Blue Period in Paris. Stop at the terrace café and restaurant for a light Mediterranean meal to break up the day.

It is always best to book tickets online ahead of time, especially for visits on the first Sunday of the month and every Thursday after 4 p.m., when admission is free. Online tickets are typically released four days in advance. 

The architectural temporary exhibitions (see the website for details of the program) on the ground floor of the School of Architecture focus on urbanism and notable architects. The design and architecture bookshop in the basement is reason alone to visit. The stick figure frieze on the exterior of the building was designed by Picasso during his exile, and executed by the Norwegian artist Carl Nesjar in 1955.

This foundation created in 1984 by Catalonia’s then-most important living artist, Antoni Tàpies, continues to promote the work of important Catalan artists and writers. Tàpies, who died in 2012, was an abstract painter who was influenced by surrealism, and his passion for art and literature still echoes in the halls of this enchanting Modernist building by esteemed architect Domènech i Montaner. There are thought-provoking temporary exhibitions, a comprehensive lecture series, and film screenings. The modern split-level gallery also has a bookstore that's strong on Tàpies, Asian art, and Barcelona art and architecture.

Here, in a building off the left side (north) of the cathedral, you can browse for hours among the miscellany assembled by the early-20th-century sculptor-collector Frederic Marès. Highlights of his charmingly disparate collection of paintings and polychrome wood carvings include Juan de Juni's 1537 masterful Pietà and the Master of Cabestany's late-12th-century Apparition of Christ to His Disciples at Sea. The second and third floors house a sensory overload of historical objets, mainly from 19th-century everyday life: fans, pipes and walking sticks, clocks, toys, daguerreotypes and posters, 13th- to 19th-century wrought iron, and more. The courtyard of this former Royal Palace of the Counts of Barcelona is lovely—the café-terrace in back is a perfect place for a break.

This private fine-arts society, at the bottom of Portal de l'Angel, where it divides and leads off left to the Cathedral, has an art gallery, as well as a restaurant and bar open to the public. It also offers drawing and painting classes and occasional film showings and concerts. Note the elegant Gothic details of the main entrance, with its heavy keystone arch, the stone carvings inside to the right in the Sala Güell, and the stairway sculptures. The El Cercle restaurant upstairs has an intimate feel, though the service can be inconsistent; the best option here is a drink or a light lunch on the terrace, overlooking the passing throngs.